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Essays »

  • Language and Art: Mona Lisa's Smile [2/13/2008]
  • Old Dogs and New Tricks: What Happens to Old Artists? [9/12/2007]
  • Oh! Say Can You See?: A Perceptual Problem [3/14/2007]
  • Elitism and Its Discontents: Gripes of a Snob [11/8/2006]
  • Art Theory and Myth: But Is It Art? [6/14/2006]
  • Henry Darger: The Inside Of An Outsider [1/11/2006]
  • Picasso's Guernica: Then and Now [3/9/2005]
  • Copies and Forgeries: What Difference Does It Make? [2005]
  • La Grande Jatte: What Was Seurat Thinking? [8/10/2004]
  • ORIGINALITY: What's on First? [3/10/2004]
  • Martinis: Theory and Practice [6/11/2003]
  • Mechanical Copies: If you can't tell the difference, what difference does it make? [4/9/03]
  • My Art [5/19/2002]
  • Fine And Commercial Art: The Freedom of Limitations [5/8/2002]
  • Photography: How Real Is Real? [8/8/2001]
  • THE SELF-PORTRAITS OF JOANNA BARNETT A Historical Approach [4/10/1999]
  • Judging African Art [1998]
  • Art Judgements [9/8/1998]
  • Is It Art? Is It Good? [1/6/1998]
  • Do You See What I See? How People See Pictures [4/16/1995]
  • Making It: Race, Gender and Ethnicity in the Artworld [1/26/1993]
  • Outakes From Making It: Race, Gender and Ethnicity in the Artworld [1993]
  • Jewish Art: Fact or Fancy? [1983]
  • Interdisciplanary Studies: Evolution or Revolution? [1980]
  • Holocaust Paintings [1967-1979]
  • An Interview with Harry Bouras [1962]
© 2008 Leopold Segedin. All rights reserved.